anthony brown, who is a composer, is going to get a horn player to play something that is good but it's also someone who hasn't played in a while so it's a bit rusty. that's kind of tricky, but it had to be that because it couldn't be anything too complicated. he couldn't come up with this extraordinary riff set that made everyone kind of stand up and cheer. it had to be this sort of ragedy and yet truthful and sum up everything that's happened in the course of the play. but that's anthony brown's problem, not mine. >> so, anyway, i guess we should open this out to everyone out here. i'm sure you've got some questions that you'd like to ask phillip, so i'll be happy to take questions from the floor. over there in the red. >> can you explain again why the no no boys were rejected by the japanese community? i can understand if they said that they did not want to -- if they answered no no that the caucasian community would reject them, but i'm not sure where the japanese community rejected them. i felt like they were making a stand for the community. >> i think what's happened in the last